Technical Data Recording Studio Munich
Technical Data
Listening devices 5.1 & 7.1 Multichannel:
11x Event, 20/20 BAS V3
1x Eve Audio TS112 Subwoofer
2.1 Stereo:
2x Event, 20/20 BAS V3
1x Eve Audio TS112 Subwoofer
2.0 Stereo:
2x Genelec 8050 BPM
Sound card (Dante – MADI – ADAT ® optical)
1x RME HDSPe MADI FX
1x RME HDSPe RayDAT 72-Kanal ADAT/AES PCI Express Card
1x Ferrofish A32 Dant
3x Sonic Core Creamware Scope v5.1 24bit/96kHz – 45 DSP´s
1x Universal Audio UAD-2 Quad CorePCIe DSP-System
Sound control / microphone preamps:
SPL Channel One MkII 2950 Premium – 24-Bit/96 kHz
SPL Channel One MkI 9945 Premium – 24-Bit/96 kHz
SPL Track One MkII 2960 Premium – 24-Bit/96 kHz
5x SPL Track One MkI 2058 Premium – 24-Bit/96 kHz
Focusrite Liquid Saffire 56 – 24-Bit/96 kHz
Focusrite OctoPre MkII Dynamic – 24-Bit/96 kHz
AD / DA converter
MUTEC MC-4
2x Fostex VC-8
Word Clock
MUTEC Smart clock MC-3
Microphones:
Neumann U87 Ai
Brauner Phanthera V – Popfilter P120-VT
Oktava Mk 012-01 MSP2 Matched Pair
Neumann BCM 104
Sennheiser MKH 416 P48
2x Shure SM7B
5x Shure SM57
2x Shure PG81
4x Shure PG56
Shure BETA 52A
Shure PG52
Sennheiser e609
Sennheiser e606
SE Electronics SE 2200A II
SE Electronics SE 2200A
2x Samson C03
3x Audio Technica AT 2035
Rode NTG-2
Senheiser EW 135 Wireless
ECM8000 measurement microphone
Pool:
VDAT: Realtime-Harddiscrecording
16 Bit 128 Tracks; 24/32 Bit 96 Tracks
Audio Midi Sequenzer
Steinberg Nuendo 8.3.15 – 64bit
Steinberg Cubase 9.5.41 – 64bit
Steinberg Nuendo 8.2.10 – 64bit
Steinberg Nuendo 8.1.00 – 64bit
Steinberg Nuendo 7.1.40 – 64bit
Steinberg Cubase 8.5.30 – 64bit
Steinberg Nuendo 7.1.00 – 64bit
Steinberg Cubase 8.0.40 – 64bit
Steinberg Cubase 8.0.40 – 32bit
Steinberg Cubase 7.5.20 – 64bit
Steinberg Cubase 7.5.20 – 32bit
Steinberg Cubase 6.5.5 – 64bit
Steinberg Cubase 6.5.5 – 32bit
Steinberg Cubase 8.0.20 Eelements – 64bit
Steinberg Cubase 8.0.20 Eelements – 32bit
Audio Performance ADR
Synchro Arts Revoice Pro 3.1
Console
Behringer X32 Producer
Behringer S-16
DAW Controller
iCON QCon Pro G2
iCON Qcon EX G2×2
Softube Console 1 Solid State Logic XL 9000 K plug-in Controller
Tascam US-2400 25-Motor-Touch Fader DAW Controller
Radical Technologies SAC 2.2 MIDI DAW Controller
Steinberg / Yamaha CMC-AI AI Knob Controller
Steinberg / Yamaha CMC-CH Channel Controller
Master machine:
Sony DAT, Blu-ray / DVD / CD Recorder
Computers:
Intel® Core™ i7-4930K – 16 GB (Ivy Bridge)
Intel® Xenon® E3-1240-V2 – 16 GB (Ivy Bridge)
Keyboards:
Roland FP-90 BK
Korg M50-61 Music Workstation
01/WFD Korg Music Workstation
Hemingway DP-501 PB – 88 keys
E-drum percussion set:
Alesis Electronic Drum Kit Studio DM10 -2011
AKAI Professional MPD226
Amplifier:
Marantz AV7702 – Surround 11.2 A/V Preamplifier
Headphone amplifier
2x ART Headamp 6
Headphones
2x Beyerdynamic DT-770 Pro
3x Beyerdynamic DT-990 Pro
various brands
Other:
24-bit analyzer / FFT Analyzer
Effects:
Hall / Echo / FX studio effects and equipment: 4-tap, chorus, AutoPan, Auto Wah, Decimator, Delay LCR, Delay LCR Long Delay Long, dither / Shaper, Dual Delay Long, Early Reflector Harmonic Chorus, Harmonic flanger, hexa chorus, multitap delay, overdrive, pitch shifter, resonator, ring modulator, tremolo, DC filter, Deesser, ducker, ducking delay, Master Chorus, MasterFlanger, Midi pole filter, Midi tremolo, pattern delay, RandomFlanger, SoftClip SpaceFlanger, SSB ModDelay, SSB Modulator, SSB StepFlanger Phaser, Stereo Expander, Tube Drive, TQ Drive, vocoder III, Digitech TSR-12, PRO Ulramizer
Signal Processors:
Intelligent Mastering Processor OptiMaster The Final Word In mastering 24-bit / 96 kHz, Q PSY Psycho-acoustic processor 24-bit / 96 kHz processing, MasterVerb Pro high-end reverb processor 32-bit live processing
Instruments:
Vectron Player: the legendary Prophet VS, Miniscope MK II: Classic, U KNOW 007 A Legend, Blue synth: analog synthesis, EZ Synth: synths, EDS 8i: Analog drum synthesizer, Lightwave: Wavetable synthesizer 128 waveforms filters and effects section, prism: analog synthesizer modulation matrix, Inferno: bass and synth sounds, arpeggio 01: Arpeggiator
Compilation:
STS-5000 Realtime Audio Transforming DSP Sampler 16/24/32-Bit sampling at 44.1 / 48/96 kHz import / export formats: Akai S1000 and S3000, Soundfont 2, WAV, AIFF realtime time stretching and pitch shifting with formant formants, Robot Mode, Auto Chord
Mixer:
48 channel strips, mono / stereo, 8 recording buses, EQ (4 band EQ featuring filter types per band: peak, notch, High-/Lowpass, High-/Lowshelve), compressor with sidechain delay compensation four effects inserts and direct outputs on every Channel 6 mono aux sends and stereo aux, 2 inserts for the aux returns mute, solo, Mix, Solo Defeat, exclusive solo, 8 faders and 8 Mute groups master section with 2 switchable monitoring, talkback and four effects inserts. The following surround formats are supported: 5.1 – for DTS and Dolby Digital (L, C, R, Ls, Rs, LFE) 6.1 – Dolby EX (L, C, R, Ls, Cs, Rs, LFE) 7.1 – for (SDDS L, Lc, C, R c, R, Ls, Rs, LFE) 8.1